Thursday, January 29, 2026

71


 Sixty nine from Sopchoppy 

john clare stokes


One is for Bluefield,WV from where I was born,

Uncle Kermit driving mamma that January 30th in the snow storm.

Two is for coming from Vicco in

Kentucky to Sopchoppy in a Packard.

Three is for Mrs Mary and her bread pudding

Four is for Angeline and her red butcher knife

Robert,Sam and me running for our lives.

Five is for my Uncles in Mississippi staying summers happily

Six is for first loves, first grades and Helen Roussey from Panacea

Seven is for John Lloyd crying loudly 

Miss Townsend saying I'd be moving

Eight is for Monticello and Lewis being born

Nine is for leaving the loved two story Victorian parsonage 

Ten is for returning to Kentucky at Asbury in Wilmore

Eleven is for walking April Wells her answer I will forever be waiting for

Twelve is for the long 7th grade journey to Williston

Not believing Bill and Jack were not grown men

Thirteen is for JV Football and long haul fast end sweeping

Fourteen is for down by the Blue Grotto Melissa meeting

Fifteen is for playing point guard with the brothers

Sixteen and finding that Purple Haze a lot of love covers

Seventeen is for the Red Devil Class of seventy- three

Eighteen is for the perfect GPA at Santa Fe

Nineteen is for George Amica and working at Williston Memorial 

Twenty is for Catherine Wilson singing Healing Love gloriously 

Twenty one is for living with Dr ZT Johnson at Asbury

The F in Spanish and returning to Williston sadly 

Twenty two is for the painting the hospital walls a second time

Daddy saying, we can pay for college by cutting the pines 

Twenty three is for repeating a Junior year at Florida Southern

Twenty four for earning a BA degree finally.

Twenty five is for working as a service writer at Powers with Frankie

To turn down a job in Monticello teaching art convincing me

Twenty six is for wanting badly a photojournalist my career spending

Twenty seven is for Lucille and Lynn Counts hiring me to change mannequins at JCP

Twenty eight is for running 10k's with Forrest and Buddy

Twenty nine is for winning the city logo contest soundly.

Thirty is for canoeing the Suwannee with Bob Jones

Thirty one is for running the first marathon 26.2 miles long 

Thirty two is for meeting a nurse at Shands named Melanie

Thirty three Jesus died but in Whitehurst chapel we were married 

Thirty four and to our garage apartment on Camp came Landon

Mrs Beverly a job in JCP management offering

Thirty five is for that suit I now wore all the time

Thirty six is for Alan Crews his home on Camp selling

Thirty seven is for the Alachua General coming of Jordon

Thirty eight is for jumping on the trampoline under the pecan 

Thirty nine is for the stucco house outgrowing

Forty is for postman Brian and to his Tevis house moving 

Forty one is for winning nationally and to Dallas awarding sending

Forty two is for Rick Bringger and Hambone putting up with me

Forty three is for not taking the job in Albany

Forty four is for staying with family and friends in Lake City

Forty five is for letting Valerie take the job in Ocala

She wanting out of town so badly

Forty six and that sick feeling after telling Calise to chill

Forty seven is for that Friday in April 

I can see it still

We are letting you go, with a gold retiree card

Twenty percent off a tad too hard

Forty eight is for Russell coming to Westside Chapel

Forty nine is for voting with Tom Bart not to build that Grace Babel

Fifty is for Ruth Garner hiring me at Sears

Fifty one and the Weasel is the top commissioned salesman to no cheers 

Fifty two is for the coming end of biking centuries with Roger Sessler

Fifty three is for lamenting the loss of Bobs memory in his nineties

Fifty four is for one last River Run

Fifty five is for the sudden Sears closing 

Fifty six is for the coming of my Grandson Nathaniel Manoa

Fifty seven is for Bill Giebeig hiring me to read meters slowly

Fifty eight is for continual prayer for Landon and family 

Fifty nine is for volunteering down at the gallery

Sixty was for dreaming of being once again in ole Sopchoppy.

Sixty one for driving the Baya van delivering beds and oxygen, then driving to Homewood to Uncle William Clark’s funeral

Sixty two the saddest year for losing my mother

on the day before her 89th birthday.

Sixty three for son Jordon in Korea in the Army

Praying for his safety monitoring the DMZ.

Sixty four for being fired for taking photos then being hired by Ray the same day to take photos.

Sixty five for retiring in a Covid crazed world, while under Biden we downwards swirled.

Sixty six was for becoming a porter of cars, never dreamed I’d end up not going this far.

Sixty seven was for losing Uncle Jimmy in Mississippi, the last of the Stokes brothers missed greatly.

Sixty eight was for a vacation with Melanie and Jordon, Roscoe too in the cold Carolina mountains freezing.

Sixty nine and will this be at last the year, family so long missed will once again come near?

Seventy and a stroke set me back to learn again how to run. But I did return to the Gateway Gallery. 

Seventy one, here I come.

Tuesday, January 27, 2026

Paths worth taking


 Paths worth taking


You are to read your Robert Frost

How else will you know the path to seek

You are to read your Emily Dickinson

How else to stay the homesick-

Homesick feet.

Fill the Lona


 Fill the Lona Lord

The paddle wheel rests

on Suwannee's shore


Fill the Lona Lord

Brother Fountain 

is counting

on you

to carry him across.


This photograph was taken on the eastern bank of Lake Lona. Lona was once deep and full and they say a steam boat of some sort floated upon it. Rev Fritz Fountain, the interim pastor of Bronson Baptist, a friend of mine from his daughters working at JCPenney with me, lives on the southern bank. That is the reason I used his name, simply taking poetic license that he needs a way across. The western bank is on the Suwannee County side.

It is a take off on the song, Fill my cup Lord.

Resignation


 Resignation 


Again as so many times I’ve followed the light line

up the Rossi Hill, paces once swift within the five minute range, now but a puffing ten at best with pauses to catch the breath, carrying less burden up the hill these days, casting along the line those for many years I was desperate to carry, and that is sad but necessary, they have the burden now unto themselves, I am old, but I am light.

All creation


 The turmoil without 

John Clare Stokes


All creation groans in travail, 

to see the birth of the coming, 

seas and stars and moon and

men aligning for the day,

whispers heard above the wind

flickering seen upon the horizon.

Messing with the dead

 its the way of oaks...to slip up on graves...their roots slowly tickling...the blissfully sleeping folk.


The turmoil without


 The turmoil without 


All creation groans in travail, 

to see the birth of the coming, 

seas and stars and moon and

men aligning for the day,

whispers heard above the wind

flickering seen upon the horizon.

Color of blood


 Color of blood 

Johnclarestokes 


It’s the way with artists

poets

the mystics among us

Pouring their heart out

thinking they have ruptured

the vein to seeing

when all that is said in the end, 

Did you use 

Cadmium red

or alizarin crimson

for the color of the blood?

Ensign Stokes

 Luther Ray in the Navy at Camp Elliot, Calif with Joseph Andrews and Howard Harding during WW2. Luther, a medic, in a paperwork glitch, missed being assigned to Pearl Harbor, instead was stationed in New York.


The long ride


 The long ride

Johnclarestokes 


And the boy and the old man

Made ready for the long journey

The boy looked ahead

The old man behind

The boy didn’t know the way

The old man did and so they went.

The new order


 The new order

Johnclarestokes 


We plant the trees in ordered rows

we make a place for the fledglings to sing,

in time to come. How shall we know?

By those who are yet singing here

By the vane that drinks from the springs

By the moon the ever guarding

It has to be the guarantee

that singing will forever be.


After Wendell Berry

Nabbuco


 Libretto

Nabbuco

chorus of the Hebrew slaves 

Verdi

With composite by Salvador Dali of Nebuchadnezzar and me.


Fly, thought, 

On the golden wings

Go settle upon the

Slopes and the hills,

Where, soft and mild

The sweet airs of our

Native land 

Smell fragrant!


Greet the banks of

The Jordan

And Zion's toppled 

Towers...

Oh, my country, so

Beautiful and lost!

Oh, remembrance,

So dear and so fatal!


Golden harp of the

Prophetic seers,

Why dost thou hang

Mute upon the

Willow?

Rekindle our

Bosom's memories

And speak to us of

Times gone by!


Mindful of the fate

Of Jerusalem,

Give forth a sound

Of crude

Lamentation,

Or may the Lord

Inspire you a

Harmony of voices

Which may instill

Virtue to suffering.