Wednesday, March 12, 2025

In Shongelo Shadow


 In Shongelo Shadow

John Clare Stokes


Where has our little Lute gone today?

His dego hoe leans unworked against the magnolia

The family cow swishes the flies

Waiting her milking 

Mother hen broods upon her ungathered clutch.


Back broken down the furlough in the heat

Curt leans into the scots plough 

Molly mule determined to pull home

Tempers steeled and growing hotter.


Over in the back forty cotton field

Marzelle mends again the broken barbs

Muscles straining refusing to yield

To wires snapping in times so hard.


Beneath the cool porch Irene and Hazel pray

Their Kitty Kat congregation captured near

All awaiting from above a word sent their way

Pass the plate! Your Maker fear!


Across the black top thirty-one at the store

Earnest hears the Trailways from Meridian

Too soon to send his sons to wars distant shores

Homewood! Homewood, the driver calls to

Passengers sleeping.


To the Shongelo shade Lute has roamed

So far from his dear mothers call

In the cool woods soon the light is gone

The clock stops down in the darkened hall


When clearly, Lute hears the call of longed for voices

The Shongelo shadows lift, gone for good

Returned safe, Luther Ray, in a loving embrace of

Ethel Marie, the family welcomes him home to the eternal Homewood.


Rev Luther Ray “Lute” Stokes

Oct 16, 1924

Mar 11, 2011

I smell of death



 Circle space

john clare 


There I stood in that circle of 

No entry the creatures decreed

By God to fear me everything 

Keeping its distance

The turkey in the hammock

The deer in the dense beyond

The Eagles in the nest above

Only the Cardinals dared enter

The forbidden space 

Scolding me to move along

Disturbing the slow order

With my presence

Long before they accepted

I was well on my way

Leaving a scent trail

Smelling death the entire way.

Monticello


 Yellowjackets and Tigers


As the boy sat looking out the upstairs window overlooking East Washington Street, it reminded him of sitting in the same window in Sopchoppy overlooking Rose Street from the abandoned house next door. This new town to which his family had moved, the second move of his young life, was huge compared to Sopchoppy. The traffic never ceased as it made its way from four highways all ending with a circling around the Jeffersonian Courthouse. The town even had a candy store and Priest Dime Store, a far cry from the two grocery stores of Sopchoppy. While he missed the river across the street, there were many new   neighborhoods to explore. He had his own bike since wearing out his sisters and his summer days were spent riding uptown to that candy store with the many glass jars full of treats and going up and down the oak lined avenues with the historical register homes. His mother had enrolled him in his first painting class and he eagerly rode the bike down the hill over to Mrs Groves carrying his paint and canvas under one arm. His mother recognized early his penchant for drawing from the many sermons he illustrated on his fathers church bulletins. It was the best of times for the young artist as he had no care for what others thought, no care for proficiency, just a joy of painting for painting sake. To him the works were masterful. It was only years later he was disappointed when he visited his Aunt and Uncle in Atlanta to  find his painting of the mountain lion hidden behind the couch. He did not understand. Paintings of such quality were to be valued, hung in prominence. 

But that was years later. For now, it was good thinking these gifts were valued. The boy though young had in his heart a desire for companionship well beyond his third grade. He fully intended to marry Helen Roussey from Panacea and even envisioned sitting on her couch with her sisters and father. 

This was all dashed when Miss Townsend, his teacher, whom he also loved, announced to the class he was moving to Monticello. John Lloyd, his best friend who shared a desk with him, immediately let out a loud and long cry. The boy was crushed as well. Who would Helen now marry? 

This new school he now attended had three third grades. He couldn't fathom so many people his own age. It was in Mrs Floyd's class the boy gave his secret love away. She looked much like Helen with the dark hair, but to him, her long black curled hair made her all the more beautiful. How could the shy boy tell her of his love? On the playground at PE the cruel coach had all play ring around the Rosie and the last to fall down would have to tell his girl or boyfriends name. This terrified him. He was loathe to reveal this secret love. 

He made certain he did not fall last. 

The boy found in this new town that girls took notice of athletic prowess. The day Coach Cooksey announced a third grade race to determine the fastest runner in all three grades, he had no great expectations. He knew Jimmy Haines was the fastest. He was first in first and second grade races. 

The day came and the whistle blew. A mass of legs moved rapidly down the hill, the boy running behind Jimmy. At the turn around, the boy and Jimmy were tied. Half way back up the hill, Jimmy faded and the Yellowjacket overtook and beat the Tiger.

This shy boy was now the fastest boy of all. This gave the Cub Scout new confidence. Perhaps Deborah Daniels would now take notice. He could start planning their marriage. It took awhile, as confidence in youth takes much building, but he finally drew enough courage to compose the love note, that I love you, do you love me? Check yes, no, maybe. He knew not how to deliver this message and the day came when he lost all sense of secrecy and simply tried to pass the note three rows over and two up to her. It was somewhere on row two that Mrs Floyd saw what was going on and abruptly intercepted the note. To the boys terror he just knew he would have to read aloud the note. But to his everlasting relief, Mrs Floyd simply threw it in the trash.

The boy never mustered the courage again and soon it was announced that he was moving to Wilmore, Kentucky. No JL to cry, no Deborah to marry, she would never know of his love. 

And so he moved and so there in Mrs Turners fourth grade beneath the desk in one of her many Cold War bomb drills, he passed the note to April Wells. And the next day came her reply as he walked her to Girl Scouts, Yes! yes!yes! With hearts and kisses across the page. 

He dreamed of many children.

But then it too was announced, this boy was moving to Williston.

Tuesday, March 11, 2025

The Stone Fence



 Andrew WYETH 🇺🇸

The Stone Fence

1946 

"Painted in 1946, The Stone Fence exemplifies Andrew Wyeth's mastery of tempera. On this media Wyeth has said: "It's a dry pigment mixed with distilled water and yoke of egg. I love the quality of the colors: the earths, the terra verde, the ochers, the Indian reds, and the blue-reds. They aren't artificial. I like to pick the colors up and hold them in my fingers. Tempera is something with which I build--like building in great layers the way the earth was itself built. Tempera is not the medium for swiftness." (as quoted in T. Hoving, Andrew Wyeth, New York, 1995, p. 11) At this time in his career Wyeth employed materials and techniques to minimize the trace of the artist's hand. "My aim is to escape from the medium with which I work. To leave no residue of technical mannerisms to stand between my expression and the observer. To seek freedom through significant form and design rather than through the diversions of so-called free and accidental brush handling." (A. Weinberg, Unknown Terrain: The Landscapes of Andrew Wyeth, New York, 1998, p. 30)


Whether seen in a weather-beaten fence post, in an empty cornfield after harvest or in the wrinkled face of an old man, Andrew Wyeth's paintings bear witness to the passage of time. The Stone Fence is among the artist's most profound representations of this theme, as the painting reveals the artist's great sense of the past and the present as expressed in the vernacular architecture and ancient farm implements of rural Pennsylvania. Wanda Corn has noted the importance of temporal qualities in Wyeth's work, writing, "Time stops as his paintings make permanent what we know to be transitory. Paths and tracks in the snow or sand, or birds in flight become as fixed and static as ancient hieroglyphs; a sunbeam's playfulness on a wall, a patch of snow in the sun, or a fleeting flush of anger on his wife's cheek are made timeless and unchanging." (The Art of Andrew Wyeth, San Francisco, California, 1973, p. 155) The present work was completed in the artist's studio of the Hoffses' house, East Waldoboro, Maine."

There are artists who inspire and i try to incorporate their style of composition and subject matter in my photographs. Wyeth is one. 

The circling broken


 The circling broken

John Clare Stokes


I can hear the old tractor coming

Making another circling around

The home place

Past the syrup shed

Down the grape arbor

Over to the blueberries

Into the pines and sparkle berries

Echoing off the low pond

To the eastward persimmon

Coming again to the fine sand

To pause by the two Camellia  

Again! Again! The boy cried

And off they went

As I stood watching

And so I daily stand by the 

well rutted trail

And I listen for the sound

Of their returning.


To the memory of Rev Luther Ray Stokes

Oct 16, 1924

March 12, 2011


Landon Stokes

August 25, 1988

Present SC

Father felco


 Felco daddy

Johnclarestokes 


Some tools just fit

just right in the hand

Not always at first

But after years of breaking in


Today I trained the muscadines 

on the nine gauge wire

Not sure where to cut them

Needing him who knew exactly


He knew just how and when

To prune with the Felco

It was the essential part

Of the latter growth

Assuring the vine

would thrive in time 


In these hands

It’s more the butcher

Cutting with a prayer

Jeopardizing future fruit

But in his hands

Every cut as from above.

Deep dark

 Into the deep dark

John Clare Stokes 


Into the deep dark wood

we often must go

far from the sound of

joy, the familiar ones

a deep dark wood where

the light is dim around

but even there in the

dark surround

the sound of one above

a familiar song

Not quite so strong as

when in the brightest light

Nevertheless 

a sweet song in the night.


Cardinal comfort 

Front yard


Monday, March 10, 2025

Monday in March


 Days like this when we’ve gotten seven inches of rain

When the legs don’t won’t to walk but sit with the butt

When I go through old memory posts and find the ones I like most

Then think, it’s all for Melissa for she is about the only one who will like it

I say, what’s the use, why the bother, and I don’t

If it wasn’t a Monday in March and it was sunny

Maybe I would be out with the soaked chickens emptying the rain gauge given me

And not worrying about Melissa being the only friend.

Sunday, March 9, 2025

The March winds of 2020


 The March winds 

Johnclarestokes 


And this is life on this tenth of March

Watching as Swallowtails overshoot the yard

Like the River runners so missed ascending the Hart

The brisk, cool winds driving them all so hard.


My little helper is off with his mom in Guam

His daddy out fishing on the Cocos

Mel down in Williston with her ailing mom

Jordon with the Army in Korea as we speak


And has it been eleven years since daddy died?

Mamma sitting on the couch writing in her dairy

I’ll soon be with best friend Rick bike riding

The Swallowtails I am sure will land safely.

Grok on John Clare Stokes

https://grok.com/share/bGVnYWN5_7d45ff99-81c1-4deb-a68c-9d258f735cad

John Clare I know but who is this John Stokes?

Cost me my job


 Today in Columbia past a photo came up. This person cost me my job as a photograher for the Reporter indirectly. It was July 1984 and the Lovely Shop downtown caught fire. Harvey Campbell, the sports editor and i arrived soon after and covered it into the evening. Gustafson was a Reporter who showed up late and snapped a few shots. Later that evening in an editorial meeting Don Caldwell, the Publisher and Kathy Fichera Editor voted to say photos by staff instead of naming each photo taker under the photo. Harvey and i dissented since we had done all the work. Later that night when all had left and the paper was about to be printed, Harvey went into the composing room and added photo by… under each photo. It was thus printed. The next morning Fichera called me in her office and i was let go. I dont think anything was done to Harvey. Who knows, maybe he threw me under the bus.


Pine Sunday


Pine Sunday

john clare stokes


Word got out

The man upon 

The donkey would

Be passing through 

We took the pines

And strawed the way

We thought he'd take

But LO he never came

We later learned 

It was further south

Down by the palms.